Motion & still.One eye, both formats.
Hired by
Selected work
12 of 44
How I work
Both formats
On some jobs the film leads. On others the stills do. Both get planned in prep, so both come back as campaigns and not a folder of maybes.
People and movement
I danced professionally for ten years, b-boy and popper, and spent seven of them running casting callbacks. I can feel when someone is about to give me something good, and I know how to keep them comfortable until they do.
Prep to screen
I can build the look before we shoot and carry it through post: dailies, color, finishing, masters. I’ve done those jobs myself, so your dailies come out looking like the film. Nobody gets attached to the wrong picture.
One shoot.
Two campaigns.
The shoot day is the expensive part. Make it count twice.
Book me for the film, the stills, or both.
See how it works →What are you making?
Boards, a deck, or a paragraph. Whatever you’ve got.